For Мusic production, much more is needed than just pure skill. Just like any other job, there is, having the right tools for work is essential. However, things get complicated when you try to get those tools with a limited budget. Fortunately, there are still some options on the table. Today we are going to show you the Best Studio Monitor Speakers Under $100.
These may not be the best monitors out there, but they will do the job and enable you to pursue your passion for making music. With that in mind, let’s start with the list, and after that, we’ll tell you what to expect from the best studio monitor speakers under $100.
Best Studio Monitor Speakers Under $100 List
Best Studio Monitor Speakers Under $100 in this guide are by far the best you can get for $100 or less. We’ve looked for performance rather than something else, trying to find decent speakers that could be viable in a home studio environment. Again, it is essential to understand the limitations of monitors in this price range. You will not get perfect clarity or transparency, but the performance these speakers have to offer is more than enough to get started. It is always recommended to get the best equipment you can buy, even if a set of $100 is all you can afford.
This product from Edifier is of downright high quality and made with state-of-the-art components. First, the sound is exactly what you would want a workroom monitor to have: powerful and clear. Second, it also adds a lot of conveniences by offering multiple input options, including a dual aux input. You can connect two devices at once via aux. It will also work with any devices with dual RCA output or 3.5mm headphone output.
These budget-friendly bookshelf speakers put control in your hands with their remote control. You can control the bass, treble and volume just sitting on your couch. Edifier is a popular brand name so there is no doubt about the durability of these speakers. These may be pocket-friendly workroom scanners, but they are designed to be durable. Their wooden finish makes them even more stylish and sturdy.
Samson MediaOne BT3
Compact desktop monitors are nothing new, but a few think that being both versatile and affordable is not easy. Samson MediaOne BT3 solves this problem very well. You look at some pretty stylish speakers that not only work well but also look pretty good. The design itself is a relief in the sea of black plastic. When it comes to hardware and performance, we have a 1 “silk dome tweeter in combination with a 3” low-frequency woofer. Each loudspeaker is capable of pushing 15 watts RMS, making it one of the most potent monitors you can get in this specific price range. On top of that, there is also support for Bluetooth, front-facing controls, and a great I/O cluster. Such things make it one of the best studio monitor speakers under 100 dollars.
If there are a few affordable speakers that everyone knows, it is the Mackie CR3. In general, CR3 and the rest of the CR series have proven to be a perfect solution for those who are engaged in music production. They feature reliable components in combination with a stylish design and a reasonably reasonable price. In terms of size, these fall under the compact category. Each loudspeaker packs a 1 “tweeter in combination with a 3″low-frequency driver. Supported frequency range runs from 80Hz to 20kHz, making Mackie CR3 one of the most realistic budget monitors. The sound quality is more than adequate for such a build, while there is also a surprising amount of transparency. Most importantly, Mackie CR3 pushes 50 watts of power across two channels. Overall, these are one of the best studio monitor speakers under 100 dollars.
Alesis Elevate 3
Alesis is one of the few brands that dominate the budget of the market for studio monitors. Their Elevate 3 monitors are relatively straightforward, and that is what their users value the most. We look at all black cabins with simple baffles and general subtle aesthetics. The whole idea behind Alesis Elevate 3 is to give you the performance you need. They did not focus on something that did not contribute to that effort. In terms of hardware, we have a 1 “dome tweeter in combination with a 3” frequency driver. Combined, both cabs push out approximately 60 watts of free transparent sound. Add a reasonably accurate frequency range that goes from 80Hz to 20kHz, and you have a great setup. Overall, these are one of the best studio monitor speakers under $100.
What To Expect From Best Studio Monitor Speakers Under $100?
The main difference between monitor speakers and ordinary speakers is in the way they represent tone. Your standard computer speakers are bass-heavy, with a tone profile designed to give you the most flavor of your music. That is not the case with monitors. Their main goal is to be as flat as possible and to show the raw sound of your mix. Achieving that kind of transparency with $100 monitor loudspeakers is difficult. A set that is somewhere in the range of $500 will deliver a much better performance.
The problem with affordable monitoring starts with the size of the transducers. In most cases, there will be a driver and a tweeter in each cabinet. Some brands like to call these drivers as woofers, but that is wishful thinking at best. You look at 3 “inch units that have their limits; at best, it will be a decent driver with a full range that is low enough and has a linear frequency response across the entire range. In the worst-case scenario, go to dead low-end and a reasonable middle department.
A more expensive set of monitors, in a price range of $1000 or similar, gives you perfect clarity and response from the lowest to the highest parts of the frequency range. As you have probably already calculated, you get what you pay for. This is undoubtedly an inexpensive option. Still, it provides an essential factor for every cheap item – it is convenient and not just something to play with, and it delivers the best price. Most budget monitors will come with a 3 “or 4” inch, low-frequency drivers. Expect more than that; you will leave disappointed.
For the most part, that extra inch of transducer real estate will not necessarily make a difference in performance. The truth is that most of these transducers fall within the middle range of the driver area or even full range. Both 3 “or 4” drivers will work, especially in smaller studios. Smaller drivers are much more preferable when you work in confined spaces. Getting the optimal performance from your speakers will depend much more on how you position them.