Master Effects Martyr Review
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This review is about Master Effects Martyr Review. So read this review Master Effects Martyr Review with full details and specs.
The Master Effects Martyr Review
Super responsive. Huge clean to super saturated gain range. Powerful EQ and contour controls. High-quality construction. cons:
Some solid state hardness lingers on clean settings. Street:
For many fans of ’90s metal, Marshall’s masterstroke wasn’t plexi or Super Lead, but the Valvestate 8100, an inexpensive, hybrid amp that remains a sonic cornerstone of several metal subgenres.
Master Effects – brilliantly recreating many otherwise ignored building blocks of the ’80s, ’90s and contemporary metal tones – effectively built the 8100’s preamp into the Martyr pedal discussed here. The sounds are, unsurprisingly, immense. But it’s the lightning-quick response that will put the Martyr in the sights of metal players and anyone seeking a direct and savage line between pick and speaker. Recorded with Fender Telecaster Deluxe with Curtis Novak Wide Range humbuckers through Fender Tremolux with black panel (volume at 5, treble and bass at 6) to Universal Audio OX using 2×12 black panel style cabinet and UA-610B preamp simulation to Universal Apollo Twin to Universal Audio Luna.
Rhythm Track is initially OD2 mode with gain at 2 o’clock and master volume at 11 o’clock. The cleaner segment at 1:25 is OD1 mode with gain at 2 o’clock and master volume at 1:30. Contour is at 10:30 a.m., treble at 11:30 a.m., mids at 12:30 p.m. and bass at 12:30 p.m. for each segment. Lead track is OD2 mode: gain at 3:30, master volume at 1 o’clock, contour at 2:30, treble and middle at 1:30, bass at max.
Today, many players are looking outside of metal for the textures and response the Martyr delivers. It’s easy to see why. While the uninitiated can expect a harsh, transient response or a hyper-compressed satiety, the Martyr can feel exceptionally fluid, lyrical, and open. The powerful EQ section and contour control are precision scalpels for shaping the pedal’s response to suit your own picking approach. But the gain range is also unexpectedly huge. The low-gain OD1 channel can be turned down to near clean for round, low-gain tones that could take a convincing place for a tube Marshall in a mix. OD2 takes it to the other extreme, offering super saturated and fast response dynamics that will make even jaded metal rippers salivate. The Martyr is indeed a beastly high-gain tool, but its impressively wide spectrum of tones makes it well worth investigating by any experimental, fusion or heavy-psych player interested in giving it a sharp, white-hot edge. to their sound profile.
Wrap up Master Effects Martyr Review
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Specification: Master Effects Martyr Review