Review on Fender ’68 Custom Pro Reverb
- Hp Reverb Vr G2 Vr3000 Headset
|Price history for HP Reverb G2 Virtual Reality Headset|
This review is about Review on Fender ’68 Custom Pro Reverb. So read this review Review on Fender ’68 Custom Pro Reverb with full details and specs.
The Review on Fender ’68 Custom Pro Reverb
One unsung sleeper from the black and silver paneled years sees his DNA scrambled to intriguing ends. Reviews Benefits:
Classic cleaning and excellent pedal platform versatility. Nice built-in reverb and tremolo. Lightweight for an amp of this size. cons:
No output reduction feature. Street:
Fender ’68 Custom Pro Reverb show fender.com
easy to use
Fender’s ’68 Custom series won a lot of fans by reviving the stylish silver panel amps of the late ’60s and ’70s and turning some of those models into more modern gigging machines. One of the newest additions to the line-up is the ’68 Custom Pro Reverb – an evolution of an amp that debuted in 1965 as a black-panel model.
The original Pro Reverb is considered a great all-round stage amp and remains a relative bargain among vintage Fenders. But the reconfigured ’68 Custom Pro Reverb is both addition and subtraction features to better meet the needs of today’s players, and there are significant differences between the original Pro and this latest edition. Where the original was a 2-channel 2×12, the new incarnation is a lighter and more compact 1×12, has a single channel and adds a midrange control. But it’s still 40 watts and most features remain the same, making it a logical next step up from the popular Deluxe Reverb. silver mine
Eliminating the original’s underused normal channel and adding the handy midrange control still equals a very streamlined control panel: volume, treble, middle, bass, reverb and tremolo speed and intensity – a combination where every Fender fan can love and identify with. The on/off and standby switches are located on the rear panel, where you will also find two connections for the built-in and expansion speakers, and a TRS connection for the included two-way speakers.button reverb and tremolo switch.
Like its ’60s predecessor, the ’68 Custom Pro Reverb generates 40 watts from a pair of 6L6GC output tubes, with three 12AX7s and two 12AT7s up front. It lacks the tube rectifier of the original – instead it uses solid-state diodes to convert AC to DC (as many other Fenders in the ’60s did anyway). Players love tube rectifiers for their saggy, compressed attack, but Fender claims to have made up for the absence of a tube rectifier by using a transformer with a higher-than-usual copper resistance, which helps replicate the higher forward impedance — and sag — that a rectifier tube would provide.
Although compact and relatively light, the Pro Reverb can still be a loud amp.
A more obvious departure from tradition is the inclusion of a single 12″ Celestion Neo Creamback speaker. It’s built around a lightweight neodymium magnet rather than a heavier ceramic magnet like you’d see in the speakers of a vintage black panel Pro Reverb. It’s a critical part of a slimming effort that, along with a compact 22″ x 17″ x 9″ meranti plywood cabinet, reduces the overall weight of the combo to a manageable 35 pounds (originals weighed closer to 53 pounds).
The rugged circuit board includes a few thoughtful updates to the original circuitry – most notably a reduction in the negative feedback from the output stage, adding a bit more touch sensitivity. And the tremolo is tube-driven and grid-biased – borrowed from the vintage Princeton Reverb amp for a warmer thump. Elsewhere, things stay close to vintage spec. The reverb is still a classic tube-driven Fender circuit feeding a long spring pan at the bottom of the cab. The transformers were custom made by Schumacher, who supplied these components to Fender in the 1960s. For the most part, the Pro features the same preamp circuit that helped make Fender black and silver panel amps so famously glassy, clear, bright and lightly scooped.
Since the ’68 Custom Pro isn’t trying to be a period-correct reissue, it occasionally leaves us missing a few extra non-vintage comforts. A master volume control is almost an abomination to this circuit, but some form of output reduction mode – a half circuit breaker, a built-in attenuator, or a voltage reduction circuit – would be helpful. Although compact and relatively light, the Pro Reverb can still be a loud amp and the inability to crank it up up for natural biting and stinging at lower decibel levels may limit the appeal for some players. Prognosis
Whether paired with a Fender Telecaster, a Gibson ES-335, a P-90-powered Novo Serus J, or a variety of overdrive pedals, the ’68 Custom Pro Reverb delivers impressive variations on the vintage Fender amp sounds we’ve heard of. know and love, and feels very familiar and dynamic in doing so.
Players generally covet vintage Fender amps for their great cleans and creamy edge-of-breakup sounds. The ’68 Custom Pro Reverb delivers on all counts. It’s crisp and clear without being harsh or brittle, and a little soft in the mids without sounding timid. It’s a classic tone for everything from pop to country to jazz to blues, and it’s an ideal base for pedals. Add the luscious reverb and tremolo to this palette—both of which impressively mimic their 1960s predecessors—and there are plenty of moods to conjure up before you’ve even added a stompbox.
Moving the amp from clean to slightly dirty overdrive – at least with a Telecaster bridge pickup – is the difference between 4.5 and 5 on the volume control. Here, the ’68 Custom Pro Reverb reveals the more aggressive side of its personality. Breakup is juicy and biting with just enough sag to compress a hard cock attack without getting mushy. The Pro can get a little raunchy and loose if pushed too far, especially if humbuckers or P-90s are involved. But it’s still a wonderful sound. (I also easily achieved all of these sounds at lower volume levels using the attenuator in a Mesa CabClone IR+. A similar attenuator could open up many such options). The
Fender did a great job of reimagining one of their truly underrated ’60s combos as an amp that is probably more useful to most modern players than a detail-perfect reissue would have been. It does a great job capturing those iconic black and silver panel tones at an accessible price, all in a lighter, more convenient package. Some form of output reduction would have been a plus, but even so it is a formula with a lot of practical appeal. Fender ’68 Custom Pro Reverb Demo – First Look
The about Review on Fender ’68 Custom Pro Reverb
So this is the review about the Review on Fender ’68 Custom Pro Reverb for 2021. I hope you love this review of Review on Fender ’68 Custom Pro Reverb features, price, benefits, pros, and cons too. If you like this review Review on Fender ’68 Custom Pro Reverb then please rate this product below. Check out more reviews here.
Specification: Review on Fender ’68 Custom Pro Reverb