Top 8 Best Action Movies on HBO Max

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The Top 8 Best Action Movies on HBO Max

Cinema was made for the action movie, and HBO Max always features some of the best movie content available to stream. With a rich selection of modern hits and classic movies, HBO Max is a hub for action movie lovers of all kinds. When HBO Max launched in 2020, one of its key selling points was the number of older and newer superhero movies that would be available to stream. To be sure, there are plenty of capes and cloaks to be found. But alongside famous stars like Batman, Superman and Wonder Woman, HBO Max offers a host of other action favorites, from ’80s classics to hidden gems of recent years.

Grab your weapon of choice (preferably a remote) and start streaming. HBO Max has one of the most comprehensive movie catalogs in the streaming world, thanks in no small part to its extensive classic movies section through TCM. But sometimes you don’t feel like watching classic cinema. Sometimes you want to see things explode, the good guys defeat the bad guys, and do stunts to master the dialogue.

Here is the list of the best action movies on HBO Max

Halloween’s Deaths

Some of the new faces in this entry include Anthony Michael Hall as Tommy, Robert Longstreet as Lonnie, and a few others. They don’t really bring much to the film outside of delving into the city, with most of these characters serving no real purpose or just causing terrible events. They are mostly underwritten, with singular motives and a poor grasp of reality, making them unpleasant.

The biggest contributor and the toughest ladder the film falls down is the mob part of the film. Again, no spoilers, but the mob serves no purpose in the movie, which is compounded by the fact that it takes time. up a large portion of the movie’s running time. It spirals out of control before it runs out, leaving only a message of “Maybe WE are the monsters”. It’s a real waste of time, while offering more reasons to dislike Tommy’s character as the mafia instigator.

drive my car

Drive My Car is about all that and more; where before the film language of Hamaguchi seemed to me to be on the level of the jeu d’esprit, now it ascends to something with passion and even a kind of grandeur. It’s a film about the connection between confession, creativity and sexuality and the never-ending mystery of other people’s lives and secrets.

When the movie starts, Yusuke is comfortably installed with his wife, Oto (Reika Karishma), a television writer. Demonstratingly affectionate and supportive, the couple wrapped themselves in a tender cocoon of warmth, desire and creative work. Their sex lives are also fulfilling and inform their fiction writing in surprising ways. After they make love, Oto likes to tell Yusuke stories that come to her at the moment of climax, narrating them to him as if she were in a trance.

Kimi

The vast majority of the first hour of “KIMI” takes place in a Seattle loft, occupied by single Angela Childs (Kravitz). She works for a tech company that has a life-changing product called KIMI, which is basically a real-world version of Alexa or Siri, although this one has some twists that I don’t believe Amazon and Apple have considered.

Angela, a Seattle tech worker played by neon blue haired Zoë Kravitz, has agoraphobia, a fear that keeps her from walking through the front door of her apartment. But when she discovers a disturbing recording while doing her job, she’s pressured to make the leap. Kimi is a stylish thriller with compelling cinematography, a solid soundtrack, and a protagonist you’ll root for.

The Fast and the Furious

The Fast and the Furious is a reckless, mindless, hellishly frantic, reckless drag race of a movie that hits the gas in the first few seconds and doesn’t stop until the end. final. final frame, frame. And in Vin Diesel he invents the first genuine action hero since Bruce Willis visited the Nakatomi Towers.

Cars roar by – and even through – the camera at speeds of up at 170 mph, while in the hijacking sequences they dart around and under speeding trucks – and, of course, crash into each other with satisfying regularity. By seamlessly weaving together top-notch CGI and incredible stunts, Cohen has delivered some of the best automated actions ever put on screen.

The Last Duel

Over the decades, Ridley Scott has made a number of period films that are widely considered classics. More than many if you expand your horizons to include films set in the future in the “period” category. But with the Scott period there is no guarantee of pleasure. Not that any of his photos lack quality if you equate quality with production value and sophisticated filming and cutting.

After a prologue introducing the start of the duel for the title – a fight to the death between squires and old friends Sir Jean de Carrouges and Jacques Le Gris (Damon and an especially tense-necked Adam Driver, respectively) – the film takes on a “Structure”. inspired by Rashomon. The first “Truth according to the chapter” belongs to Damon de Carrouges. In this episode, Jean kicks things off by saving Jacques’ life at the Battle of Limoges. So he goes on to do other noble things, despite the disdain with which he is treated by his overlord, Pierre d’Alençon (Affleck). He marries the beautiful daughter of a former traitor, goes into battle without hesitation, that sort of thing.

Judas and the Black Messiah

Judas and the Black Messiah made waves at the Oscars, earning a best supporting actor win for Daniel Kaluuya, among his many nominations. It was very deserved. Kaluuya is hypnotizing like Fred Hampton, president of the Black Panther chapter in Illinois, illuminating up the screen alongside Lakeith Stanfield, who plays an FBI informant sent to infiltrate the party.

The biopic, dramatizing real-life events in the final of the 1960s, is fascinating, shocking and teeming with themes of racial injustice. A big, heavy movie that demands your full attention. A scene where Mitchell invites O’Neal to his home and offers him that good whiskey is brimming with potential to examine how an act of implicit white civility could engender trust; instead, the scene ends with awkward dialogue about money.

F9

The Fast Saga Diesel’s Dominc Toretto is happily retiring with his wife, Letty Ortiz (Michelle Rodriguez). Unfortunately, Dom’s estranged brother, Jakob Toretto (John Cena), has emerged as a master assassin and mercenary. Dom can no longer run from their shared past. Fortunately, Dom has no shortage of “found” family members who come together to help him stop Jakob’s plan.

The action sets are thrilling and intentionally hilarious, though the digital effects and composition vary in quality. Some photos bring fantastic panoramas and impossible stunts to life in a way that makes you believe they can happen. Others die on screen, looking like images from that horrible early years, when Hollywood filmmakers asked effects houses to do things that technology still couldn’t handle.

free face

Branded with the kind of aggressive mediocrity that came to define Shawn Levy’s IP creation farm, 21 Laps, Free Guy is a dispassionate sci-fi movie that almost makes you think it’s smart. It really isn’t.

In Free Guy, the title character would have been perfectly happy to remain in his ordinary life as a bank teller. Unfortunately for Guy (Ryan Reynolds), he’s just a non-player character in a massive video game who has no idea who or what he really is. This blissful ignorance doesn’t last when Guy is recruited to become the unlikely hero his world needs when the game’s very existence is threatened.

Final note

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