Top 10 Thriller Movies on Netflix

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The Top 10 Thriller Movies on Netflix

All movies are great in their own way, but true thrillers are the best. They have the best elements of each class. A little bit of fear without diving into horror. All the speed of the action, but more plot. And a dash of drama and comedy without committing to either. The results demand your full attention because they are all wrapped up in a film. From chills down the spine to heart palpitations, skin tingling and twitching guts, nothing is the roller coaster of emotions that certain movies evoke. Few films can captivate us as quickly and completely as thrillers.

And because all they have to offer is gripping suspense and a fight against adversity, they’re immensely flexible, crossing categories like horror and science fiction and oscillating between gritty realism and unbelievably carefree. They can be made of grueling endurance so frighteningly dramatic you can only see them between your toes, or they can be high-octane roller coaster rides meant to have you screaming in delight. Many would argue that horror movies are made for brave people with an unlimited appetite for thrills and nuanced cinema. Some movies are so well made that they evoke unwanted emotions like fear, dread and insecurity to the point where you start to question your own reality and philosophy in your new life.

Check out the list of the best thriller movies on Netflix

the culprit

This is an American remake of an acclaimed Danish film of the same name. According to critics, it does not live up to the merits of the original; but I think it’s still one of the best thriller movies on Netflix, especially if you haven’t seen the original Danish version yet.

Den Skyldige tells the story of a Copenhagen police officer who, while awaiting trial for shooting and killing a 19-year-old, is assigned to answer emergency calls. One of the calls he takes is from a woman who talks to him as if she were talking to a small child. The policeman discovers that the woman is being held against his will and the reason she cannot speak clearly is probably because her kidnapper is close by.

the platform

The platform is already being pointed out as one of the best horror/thriller in recent times. The film is an allegory of blood-curdling capitalism, appropriately released at a time when the ingenious are hoarding food, without regard for the consequent rise in prices and eventual shortages for those who cannot afford it in abundance. The film’s plot takes place in the future, where prisoners housed in vertical cells watch inmates in the upper cells being fed while those below starve.

The concept of “The Platform” is undeniably clever. Almost the entire film takes place in a sort of futuristic or Camus-esque structure called “The Hole”. With hundreds of floors, it is a prison in which people are placed on two floors at a time. Every day, a platform descends through a large hole in the middle of the building, and is the only chance for food throughout the day.

the power of the dog

If there’s one movie that’s literally made for this year’s Oscars, it’s this thriller drama. This thriller has elements of western cinema. Benedict Cumberbatch is leading the story as Phil Burbank, who constantly attacks and bullies his brother-in-law. Kirsten Dunst is rehearsing for the role of his wife Rose.

“The Power of the Dog” revels in this suspenseful place, just as Phil would rather work cattle than deal with high society. Although the film starts at a smooth pace, it doesn’t stay there for long. There is so much desire, hatred and domination in layers that soon spread to disturb everyone’s restless peace. The game of wits between Phil and everyone else is scary to watch, and it’s exactly the kind of holiday movie to end things with a bang.

night teeth

This film is best seen as a kind of love letter to the vampire genre. It plays with the clichés and tropes we’ve seen before, and that’s what makes it a good time for fang fans. The film’s most exciting component, even with its abundance of splattered blood, neon lights, and goofy dialogue like “I bet you give good blood,” is a human character played by Jorge Lendeborg Jr.

“Night Teeth” takes advantage of the easier part of the vampire narrative – that many of the rules about bloodsuckers are already known to the public. Boom, there’s your character development, your stakes, your fear of daylight. But rather than trying to add something meaningful to its lore, vampires are treated as one of many clichés in this action-horror comedy that has little charisma of its own.

blood red sky

Blood Red Sky drags on for part of its middle and then drags on a bit in the third (well, fourth) act, but Baumeister’s performance, along with some nifty twists, helps carry this mash-monster along.up along the finish line. Adding to the wickedness of the plot is the fact that vampirism, in this particular myth, can be transferred and transmitted just as quickly as zombie-ism.

The film also allows us to meet various crew and passengers, allowing us to invest in collateral damage and, in turn, in general stakes. Attempts to give us quick shots of passengers in these disaster movies sometimes go awry as we are often presented with a parade of caricatures and/or bad stereotypes, but Blood Red Sky is able to do this with moderate success.

Your home

The couple is unfazed when a brusque social worker (The Crown star Matt Smith) shows them around the dilapidated council property where they will live until the government decides if they can stay, and they don’t falter when they receive it. the impossible. task of assimilating into a society in which it is not allowed to work. “After an indefinite time in a detention centre, they are given their own house, far from London and in disrepair, but a house that is theirs to turn into a home.

In the first 20 minutes, His House presents itself less as a supernatural horror and more as a grounded human drama, telling the plight of a Sudanese family seeking asylum in the UK. Bol (Sope Dirisu) and Rial (Wunmi Mosaku) risked everything to make an overnight boat trip to safety, or at least the dream of safety away from the violent conflict back. home. But an accident at sea sends them to British shores mourning the loss of their daughter.

The woman at the window

The story of a woman who hasn’t left her home for 10 months and thinks she witnesses a murder across the street suddenly becomes more than just a well-made thriller with an exceptional cast. It is “Rear Window” for the COVID era.

The Woman in the Window deserves your attention. It’s about Anna Fox, a child psychologist who has agoraphobia and inadvertently gets involved in a criminal case. But for all the craftsmanship on display, the often sizzling dialogue and some strong performances led by Amy Adams, “The Woman in the Window” ultimately fails to deliver its abundant potential. It will leave you with a shrug instead of a sigh.

I am all girls

I Am All Girls is a tough watch sometimes. It’s a film that certainly doesn’t shy away from the important topics of child abuse and human trafficking. With a good pace and a respectful tribute to the victims, this film is let down by some sloppy editing. I Am All Girls takes place in the depths of heart from South Africa. Specifically, it follows Special Investigator Jodie Snyman as she begins to investigate a series of murders of men involved in trafficking rings.

With her initials engraved on her chest, Jodie follows the breadcrumb trail to the real leaders at the top of it all. Before diving into this one, it’s worth mentioning that I Am All Girls spoils several big reveals in the film’s first 5 minutes. One involves a recorded confession revealing the harrowing truth about child trafficking. The other is the identity of our vigilante killer.

Ferry

The script is straightforward and deliciously goofy, with screaming fights breaking out frequently and relationships moving with intensity at high speed. The overly dramatic scenes are strangely charming, the pacing never drags, and even though the writing feels over the top at times, the viewer is still drawn in.

As cliché as they are, all the elements never seem out of place, as the strong acting of the cast and the fun cinematography of Ferry work perfectly together. However, what stands out is the casting of the series’ actors to play younger versions of themselves.

homunculus

Japanese thrillers are on the scientific side, keeping you engrossed in the possibilities of this happening in real life. And the homunculus is no exception. Despite some extremely dark scenes, the film shows what the human brain can achieve if used to its full potential. A lot of weirdness starts to be toned down on the way to a final seriously, but the human drama doesn’t increase up to compensate.

Distinction is something this movie craves, especially from its source material, but deliberately pissing off manga fans hardly seems like a smart way to do business, especially when the changes aren’t simply meaningless but are also, on the whole, harmful. a betrayal. At this point, almost two hours into a story that was revolving around one, there is little reason to be excited about the conclusion.

Final note

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