Table of Contents
Improved tracking capabilities, new tools that will be most useful in a live performance situation, and changes to Live’s existing sound creation, processing, and sequencing capabilities are the three major categories that can be used to classify these enhancements. PitchLoop89 is a pitchshifting effect that was inspired by an obscure, early digital pitch-shifter called the Publison DHM 89 B2.
Hybrid Reverb is a dual algorithmic and convolution reverb that is suitable for both standard and sound design-esque reverbs. Spectral Resonator and Spectral Time create resonant comb filter-like and granular delay-style effects, respectively. These four new effects are included in the Suite edition of Live 11.
Ableton Live 11 Specifications
| Specification | Description |
|---|---|
| Compatibility | Windows 10 (64-bit), MacOS 10.13 or later |
| Processor | Intel Core i5 or higher |
| RAM | 8 GB or more |
| Storage | 10 GB of free disk space |
| Display | 1366×768 display resolution |
Ableton Live 11: Interface
Global Launch Quantisation is the engine behind Ableton Live 11. If you’re not used to dealing with loops, this might take a minute to get used to, but it’s a pretty smart way to do things. Before your next choice starts playing on beat one, the count always goes back to the beginning of the bar. It’s that easy. Even if you’ve never used a linear DAW, this method would make the most sense right away.
Basically, it helps if you can count to four, but if you can’t, Live will do it for you, and it’s almost impossible to run out of time. The next thing you need to learn about in Ableton is how the two views, Session View and Arrangement View, work together. At first glance, Session View looks like a mixer, but it was made to be the most flexible loop machine ever.
Ableton Live 11: Features
Live now supports MIDI Polyphonic Expression (MPE), which gives you more control over instruments that accept it. MPE makes it possible to change the pitch of each note, and each note now has its own Slide and Pressure factors that can be used as modulation sources.
MPE also has a function called “release velocity,” which is similar to the well-known “attack” velocity but is used at the end of notes. MPE can be used without a compatible hardware controller, and it can be set directly in the MIDI clip editor’s new Expressions tab, which is next to the Notes and Envelopes tabs. It also lets Live’s Push devices have aftertouch that works with more than one voice. You can download this software from its official website
Ableton Live 11: MPE support
If you are a user of MPE (MIDI Polyphonic Expression), you’ll be happy to know that Live 11 now supports this standard, including within its own applications (Wavetable, Sampler, and Arpeggiato). If you aren’t already familiar with MPE, you can learn more about it here. Additionally, it is supported in the hardware functions of the Push. MPE gives the user enhanced control over each individual MIDI note, making it possible to manually apply bends, slides, and pressure effects. With Live 11’s Macro Snapshots, you can declutter your workspace and streamline your workflow by mapping even faraway devices to a single accessible location. This allows you to consolidate multiple destinations into one.
Recording and Editing
This is helpful when working with multiple copies or related versions of the same material. People who work with multi-track vocal and drum recordings will probably find it very useful, but it can only affect clips at the same time point.
For example, you can change the relative fade times of two clips that play at the same time on different tracks, but you can’t change the fade times of multiple clips on the same track at the same time.
Final Words
Ableton Live 11 is a comprehensive audio editor and music production system. It comes with a price tag to match, although there are many of solutions that are more reasonable. Additionally, the software has an emphasis on providing young people with sociable musical instruments, such as their Push gear. Live 11 introduces a ton of new features, some of which are Take Lanes for comping, track linking for bulk operations, and programmable Follow on Actions for clips and Scenes. These improvements all contribute to the various great abilities and user friendliness of this beast of a digital audio workstation (DAW).
Ableton Live 11 review: THE GOOD AND THE BAD
The Good
- Addictively fun to use
- Imaginative and innovative
The Bad
- No notation view
FAQS
Unlimited song selections and scene options Live’s ability to handle even the most complex projects with ease is a direct result of its infinite audio and MIDI tracks as well as scenes. A greater number of inputs and outputs You have complete freedom to experiment with signal and effect routing because to the availability of 256 audio input and output channels, as well as 12 send and return tracks.
Live 11 is a big update to Ableton’s unique DAW. It adds support for MPE, multiple take lanes, interesting new instruments, effects, and sound packs, and makes device racks, scenes, and MIDI clips work better.