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The OneOdio Monitor 60 is one of the best headphones the manufacturer has developed so far, and it tries to appeal to both DJs and audiophiles (as advertised on the box). This mainly means that they are going for that neutral sound so that professionals can use the Monitor 60 in a studio.
Whether they’ve achieved that remains to be seen, and while there aren’t many brands making such claims in the “under $100” price range, you do have the AKG Pro Audio K240, the Sony MDR7506 or the Audio-Technica ATH-M40X to challenge any newcomer. The OneOdio Monitor 60 has 50mm drivers, which is certainly promising, the driver impedance is 38 Ohms, and there is support for both 3.5mm and 6.35mm cables.
We are dealing with wired headphones here, so no wireless (Bluetooth) connection is available. They are also not open-back, unlike the Monitor 80, which currently seems to be the best OneOdio offers for professionals. Let’s look at the OneOdio Monitor 60 and run a few tests to see if it is suitable for both DJs and the hard audiophile crowd.
Design and Build Quality
The OneOdio Monitor 60 folding headphones have a more professional look with their ear cups and nice matte black colour with grids on the earpiece. The design is done well overall, and it looks robust enough despite the plastic that makes it quite light on the head for its size.

The OneOdio brand is printed on top of the headband, and it’s a good thing it’s made of metal, so you can constantly take it off without worrying about it breaking. It gives sturdiness to stay on the head, and fortunately, it doesn’t add weight and can be adjusted with a few steps.
The ear cups rotate 180 degrees vertically and horizontally on their axis, which is excellent because you can put the headphones flat around the neck or on a table. It can also be folded for storing and travelling purposes.
The faux leather earpads are quite soft and comfortable to wear, the faux leather covered with durable soft padding was comfortable enough for me, and the inside of the ear cups are labelled L and R for the left and right hinges.
It also offers decent insulation, but it’s not that great despite the presence of mesh on the side that suggests otherwise; However, you can hear some noise around you, but not too loud; even sound leakage is muted and acceptable for headphones of this price, so you don’t have to worry about worrying others with your music. There are no buttons on the headphones.
Finally, there are 2.5mm and 6.35mm plugs, one for the left ear and one for the right ear. Of course, you will find the two cables in the package. This is so cool that both sides can be used independently. So whether you have a 6.35 mm or a 3.5 mm jack in your source, you can quickly flip the cable without using an adapter.
Sound Quality and Performance
The Monitor 60 has a neutral and natural sound, as its name suggests. The Monitor 60 is much more balanced and accurate from the start. The headphones are relatively easy to use and can be connected to almost any source. Still, I found that they would benefit from a decent headphone amplifier in terms of dynamics. The Monitor 60 is efficient and can handle just about anything in terms of driveability. It has a nice, clean presentation with excellent clarity and soundstage. Even a phone can make them go super loud, so these might be the perfect headphones for some epic garage band creations.

The Monitor 60’s bass is neutral, precisely what you want for a studio monitor. However, the headphones respond well to some EQ, so songs like Lorn’s “Negative Jumpsuit” are quite an experience, especially with the iFi Zen DAC with its Truebass enabled.
Sub-bass tones are what I would call accurate rather than perfect. It’s not the best choice if you’re searching for a “party” sound, but this is ideal for content creation and mixing. The extension is there; however, this is far from a headphone for bass.
The midrange is spotless and clear as it goes. Vocals and instruments both have a neutral note size that is accurate and natural. That’s not to say it’s not engaging; when I play Tyrese’s “Sweet Lady,” I find myself grooving and singing along with the song. The vocals are clear and have good density. Thanks to the Monitor 60’s ample spacing, they are reasonably upfront but not cloying.
However, the Monitor 60 aims for a more technical instead of a warm presentation. This results in a straight and uncoloured sound. However, it can also get a bit tacky in the high regions if there are a lot of electric guitars or if it’s just a bad recording. The midrange of the Monitor 60 is not naturally bright, but it does not soften or romanticize the sound in any way – it is just honest and transparent.

The Monitor 60 is not a detail beast; macro details are displayed, but micro details are harder to pinpoint. This is likely a deliberate tuning choice, as DJs and sound engineers often have long listening sessions where treble fatigue could be problematic. The stereo image and instrument positioning are solid. Monitor 60’s instrument separation is also good, providing ample clean air between elements on stage.
Final Words
The OneOdio Monitor 60 has a brilliant design and a comfortable fit with soft cushions along with faux leather covers. The only drawback is the use of plastic parts, but they are acceptable in this price range, and they did not bother me.
In short, the Monitor 60 is a headphone that wants to be more professional and can satisfy audiophiles who wish for high sound quality but have a tight budget. It is pretty versatile thanks to the various cables in the package and the ability to produce a balance of tones and some detail, with minor problems in the midrange. However, with its deep bass and decent detail in the treble, the Monitor 60 might be a solid choice of low-cost headphones in a home studio or even for gaming.